Can’t Find Any Peace (Song Draft, #2)

I like songs about loves that need ending
Too broken and battered to bother with mending
They remind me of us, no point in pretending
And I can’t find any peace in this town.

A bird cannot fly on only one wing
But it can still lie, and it can still sing
These trills and these notes don’t mean a damn thing,
But they bring all the jackals around.

We both feel the sickness, We both know the cause
This rot is complete and we won’t beat the odds
We just lay in our bed and look truth in the jaws
And I can’t find any peace in this town.

The hate glints from your eyes like a scope in the light
Your finger a Kalashnikov hot from the fight,
Laying in ambush in blue jungle night
I hope you don’t flinch while you’re gunning me down.
And I can’t find any peace in this town
Can’t find any peace in this town.

Certainty of Idle Fingers

The slate is clear, the words unspoken,
the brush lay calm, the clay unbroken.
No great work to sate ambition
forms free of labor or volition.

Naught is here but paper’s promise,
wrought in absence, base and lawless.
The brush lifts briefly, stops and lingers,
then drifts away on idle fingers.

What critique can now take purchase –
where no words dwell – and quell no purpose?
What thin crack can thwart protections,
of vaporous art, of void perfections?

The stage sits dark, the choir scattered,
the pianos silent, the curtains tattered.
Yet we remain, unawed, unblamed,
in squalid silence, none acclaimed.

Killing Time (National Poetry Month Day 29)

Tear down the hour from the wall
drag It through the streets and cudgel
It unmercifully. Splay Its hands across
the cobbles and smash the minutes
from the fingers. Bind It to the post and
lash It ’til the seconds bleed and stain
the street like crimson pointillism.
Douse Its face in ruddy oil and
strike a spark to burn through
midnight. The dawn will witness
your ashen fingers. Do whatever horror must
be done, but strike this Hour
from my life.

The Dreaming Tree (National Poetry Month Day 24)

As I lay beneath the willows
With only rigid roots for pillows
My lazing eyes draw focus on
The branches drifting in the breeze –
And how the Sun’s shining spears
Are cut to darkling patterned tears
That fall upon me and permit
My slumberous eyes to restful ease.

Then grows my spirit, sweetly dreaming,
Of all the world shrunk downward, seeming
Small and sure and swiftly beating
As the hearts of lovers meeting;
I see the bulky, boisterous bear
With her cubs in cozy lair,
And hear the bird-song’s rolling call
As they wheel about the air.
Ah, on those peaks I leave my head,
And feeling southward, dare to tread
Crossing lakes with steady strides,
Then dip my hands in western tides.
Ah, that water’s warmth has certain charms,
So on that beach I leave my arms.

Then done with sight, done with sound,
And with little left to gift the ground
I stand and feel the saplings blowing
Up against my ticklish toes.
There I stand, my spirit flowing,
Down into the deep earth going,
Mingling with the roots and knowing
That I am one with all things growing.

The Tractor of Theseus (National Poetry Month Day 20)

Beneath the barn it’s laid, its use has fled
the bones; it hefts no plow, sits idly in
a sea of tarp that drowns the naked steel
and clings, suggesting wretched shapes beneath
the waves, sailors and wreckage all bobbing there.

The owner will tell: he inherited
that scrap, a warrior from ancient fields
crippled and battered with rust-eaten holes
stippled across the pale and peeling paint.
It cannot drive, it cannot brake, and fuel
spews from the rotting veins; the steering’s shot;
the heart hydraulic will never heave; the
power takeoff shaft is stuck; the headlights
sit hollow like empty eyes; mice stripped
the fan-belt, the filters, gathered all
into the engine, nested beneath their
very own blue sky; the wheels are absent; no
useful thing remains among that corpse.

Yet when the elder owner’s asked, he grins,
and says, “I still have my father’s tractor.”

Such Strange Eyes (National Poetry Month Day 19)

Childhood may not last its allotted due
For, in strange seasons, tragedy may spring
From the earth, wholly-shaped and hungering
Like a fiend fleeing their rayless tomb
Wicked and uncaring, cruelly striking
And eager to glut its maw with sorrow.
As such, I was a child for a moment
Long-lost in time, unremembered, recorded
Only as searing images, hot brands burning
Deep in the gray mass of memory and mist:

The day was mild, and under the porch
A barn-cat became a mother, birthed
A litter of eight; creamy white and tan,
With tiny paws and eyes slicked shut.
I was not older than that cat when I
Crawled through the musky shade and saw her,
Belly wet with afterbirth – at her
Breast suckled seven kittens, and in her
Mouth was one: torn through the neck, limp, half-eaten;
And I stared at her with such strange eyes.

The seven grew, flung open their eyelids,
Softened, learned of contented purrs and hums,
Grew large in small days and followed my footfalls.
Though only known for weeks, I learned
Of them, of their soft squeal when tickled,
Of the small scritching claws, of blueness
Only found in those tiny irises, and
How a brush of their fur could paint a smile.

The rest is known only in strobing flashes:
The mad jaws of a raccoon, covered in
Blood and foam and mud and small bright pinpricks
From dad’s twenty-two; From less apparent
Causes, the sicknesses that swell all things;
And that day in the greenhouse, the moving
Of flowers filling the pallets – my turn
At the pallet-jack, sliding it easily
Beneath the begonias – the small yelp
And crunch, my boiling stomach, the small
Kitten no longer purring, unresponsive
To my petting, to my pleading; such a
Small and broken thing, never to bring or
Feel joy again.

i have visited this place before (National Poetry Month day 16)

i have dreamt this place before

If you’re new here, I suppose I ought to explain this. So I call this a ‘Cell Poem’ – I don’t know if I invented it, but I’ve never seen one in the wild. It basically functions like a big, clunky acrostic. It can be read either left-to-right or top-to-bottom.

I’m still working on injecting a bit of a punch into the lines, though it’s somewhat difficult due to the rather stringent demands the form requires of each word.